LEAD STORY
Margeaux Wex— In Her Own Words
I never set out to build a scene.
I set out to build a space.
A place where art could exist without having to explain itself. Where creativity could be honest, sometimes strange, sometimes beautiful, sometimes uncomfortable — and still be welcome.
I believe art should feel alive. That doesn’t always mean polished. Sometimes it means raw, unfinished, or quietly powerful. Sometimes it means humor. Sometimes it means darkness. All of it matters.
What I wanted was a gallery that didn’t talk down to people or expect them to already know the rules. If you walk in curious, you’re already doing it right.
I work with artists who are honest in their work. That’s the through-line. Not a specific style. Not trends. Honesty.
North Georgia has more creative energy than people realize. There are artists here doing meaningful, compelling work who deserve space to stretch, to be seen, and to take themselves seriously without having to leave home to do it. I want this gallery to be part of that permission.
This space isn’t about chasing what sells the fastest or what photographs best online. It’s about connection. Between artist and viewer. Between idea and execution. Between process and result.
Some days that looks polished.
Some days it looks like work in progress.
Both are real.
If someone leaves feeling something — inspired, curious, unsettled, or even challenged — then the art has done its job. And so have I.
About the Artist
Margeaux Wex is a North Georgia–based artist and curator whose work blends pop surrealism, classic horror homage, and cultural iconography with emotional immediacy and wit.
Through her gallery and personal practice, she champions honest creative voices and community-rooted expression. Her work creates space for art that refuses to be flattened or softened to fit expectations. In addition to opening her own gallery in Dalton, Georgia, she continues to show work at the Old Storehouse in Dahlonega.
Editor’s Note — Frequency Press
Margeaux Wex leads this issue because her work — and the space she has built — reflects what Frequency Press exists to highlight: artists creating with intention, integrity, and a deep respect for both process and community.
The Midnight Whiskers ~ The Drop Is Imminent
Something is stirring in the dark.
The Midnight Whiskers’ debut album arrives in just two days, bringing a multi-genre sound shaped by mood, story, and atmosphere rather than a single category. Their music moves freely between styles — pulling from rock, alternative, electronic, and darker tonal influences without settling into one lane.
What began as a concept has quickly become a fully realized project, with music and visuals developing side by side.
The music video for Black Veil Benediction is already live on YouTube, offering a first look at the band’s visual language. This is a goth song – not a demonic song (we had a comment that said it was demonic) A second video, Three Horn City, will release alongside the album.
This is not a soft launch.
It’s a moment.
Frequency Press will return with a deeper look at The Midnight Whiskers after the album drops. For now, consider this your warning.
Midnight is almost here.me From. That Includes Them.”
Lyrics © Anne Marie Elias. All rights reserved.
Contact and Availability
You can reach The Midnight Whiskers at
TheMidnightWhiskers@gmail.com
Find them on Facebook:
https://www.facebook.com/profile.php?id=61586529621358
The Midnight Whiskers will be available on Spotify, iTunes, and all major streaming platforms beginning January 20.
Their full album releases Friday, February 13, 2026.
FROM THE EDITOR
This issue of Frequency Press begins with space.
Not noise. Not hype. Not spectacle.
Space — for artists who are building something real.
We are leading with Margeaux Wex because what she has created is more than a gallery. It is permission. Permission to experiment, to be honest, to create without flattening your work to fit an algorithm or a trend. That kind of space matters.
As Frequency Press continues to grow, our focus remains the same: thoughtful art, intentional culture, and creative work rooted in authenticity. That includes painters and curators. It includes musicians. It includes multi-genre projects that refuse to sit in a single box.
Two days from now, The Midnight Whiskers release their debut album. One music video is already live. Another arrives with the album. We are keeping that section focused and tight this issue — because some moments deserve room to unfold properly.
This publication exists to highlight work that has a pulse. Work that risks something. Work that feels like it was made because it had to be.
Thank you for reading.
Thank you for supporting independent artists.
And thank you for staying curious.
— Dakk McDunnough
Editor, Frequency Press
EVENT WATCH
Around Georgia — Late February Into March
Savannah’s St. Patrick’s Season Begins
Savannah quietly begins transforming weeks before March 17. What many outside the state see as a single parade day is, in reality, a full season of celebration.
The traditional kickoff is the Greening of the Fountain at Forsyth Park, where the iconic water is dyed emerald in a ritual that signals the start of festivities. From there, the city steadily builds momentum. Historic squares fill with visitors. River Street becomes a steady current of music, vendors, and celebratory energy. Hotels book early, restaurants extend hours, and locals prepare for one of the most photographed and economically impactful weeks of the year.
Savannah hosts one of the largest St. Patrick’s Day celebrations in the country. If you are planning to attend, early reservations and patience are strongly advised. If you are not, consider this your reminder that early March is when the city’s energy begins shifting.
Beer, Bourbon & BBQ Festival — February 28
Atlantic Station in Atlanta hosts its annual Beer, Bourbon & BBQ Festival, a one-day event that reliably sells out.
Marketed as a “Pork-O-Rama,” the festival features dozens of craft beers, over 40 bourbons, and a lineup of live music. Attendees can sample barbecue from regional pitmasters while exploring tasting tents and specialty vendors. The event has become a consistent late-winter staple and a clear signal that Georgia’s spring festival season is beginning.
Tickets typically move quickly for VIP and early entry sessions. For readers looking for a Saturday event with high energy and strong turnout, this one remains a dependable option.
Yule Forest Tulip Festival — Weekends Starting March 7
Spring arrives visually at Yule Forest in Stockbridge, where more than 200,000 tulips bloom across open fields.
The Tulip Festival has grown rapidly in recent years, drawing families, photographers, and social media creators seeking that first unmistakable sign of seasonal change. Visitors can walk the fields, photograph the blooms, and purchase fresh-cut flowers directly on site.
As one of Georgia’s earliest large-scale outdoor spring events, the festival marks a transition — from winter interiors to open-air weekends. Advance tickets are recommended, especially for peak bloom days.
Who’s On Tour
- Ghost – SKELETOUR World Tour
Jan. 21 – Feb. 23 - Nine Inch Nails – Peel It Back Tour
Feb. 5 – Apr. 17 - Lady Gaga – The Mayhem Ball
Feb. 14 – Apr. 13 - Journey – The Final Frontier Tour
Feb. 28 – Jul. 2 - Robert Plant with Saving Grace & Suzi Dian – Spring Fever Tour
Mar. 14 – Apr. 7 - Guns N’ Roses – World Tour 2026
Mar. 28 – Sept. 19 - SatchVai Band (Joe Satriani & Steve Vai)
Apr. 1 – May 30 - Triumph – The Rock & Roll Machine Reloaded Tour
Apr. 22 – June 6 - BTS – 2026–2027 World Tour
Apr. 25 – Sept. 6 - Yungblud – Idols World Tour
May 1 – June 13 - Echo & the Bunnymen – More Songs to Learn and Sing
May 10 – June 19 - “Weird Al” Yankovic – Bigger & Weirder Tour
May 26 – Oct. 17 - RUSH – Fifty Something Tour
June 7 – Dec. 17 - Evanescence – 2026 World Tour
June 11 – Aug. 2 - Ed Sheeran – Loop Tour
June 13 – Nov. 7 - Bon Jovi – Forever Tour
July 7 – July 26 - AC/DC – Power Up Tour
July 11 – Sept. 29 - Mötley Crüe – Return of Carnival of Sins
July 17 – Sept. 26 - Avenged Sevenfold & Good Charlotte – Summer 2026 Tour
July 25 – Aug. 27 - My Chemical Romance – The Black Parade Tour
Aug. 9 – Oct. 27 - Iron Maiden – Run for Your Lives Tour
Aug. 29 – Sept. 29 - Alice Cooper – Touring with the Original Alice Cooper Band
Dates vary - Alice Cooper & Chris Angel – Welcome to our Nightmare Las Vegas
March 6-8, April 3-4, and May 22-23, 2026
FOOD & CULTURE
FCBD, Fuel, and Fabric
In FatChanceBellyDance, structure matters.
The cues are clear.
The formations are deliberate.
Leadership rotates.
The group moves as one.
But none of it happens without preparation — and preparation goes far beyond choreography.
FCBD costuming is not casual. A coin bra layered over a choli. Twenty-five-yard skirts tucked and pinned for movement. Hip scarves weighted with metal that sing with every step. Bangles stacked at the wrist. Hair gardens built with flowers, jewelry, and intention.
The look is bold, grounded, unmistakable.
It is also heavy.
Before the first cue is ever given, dancers secure layers of fabric and metal to their bodies. Belts are tightened. Pins are adjusted. Straps are checked. The weight settles across shoulders and hips, and posture lifts in response. The costume demands alignment. It demands stamina.
Fuel matters here.
It means eating before rehearsal so arms can stay lifted during a long fast piece. It means hydration so spins don’t blur. It means stretching so skirts clear the floor cleanly and knees hold steady beneath the weight of coins and fabric.
There isn’t always a post-rehearsal dinner. There isn’t always a café table waiting. More often, there are water bottles against the mirror and gym bags filled with carefully folded skirts. There are coin belts clinking softly as they are unhooked at the end of the night.he performance looks effortless.
The reality is layered — fabric, metal, muscle, breath.
In FCBD, cohesion is visible. What is less visible is the discipline that supports it. The maintenance. The quiet attention to body and costume that makes the circle possible.Art may shimer.
But it is built on fuel, fabric, and the decision to show up again next week.
Restaurant Review
Pho Viet Number One — Gainesville
At Pho Viet Number One, the experience begins before the food ever reaches the table.
The dining room is open and bright, with polished wood floors and colorful lanterns suspended overhead. The space feels clean and intentional — modern without losing warmth. Tables are spaced comfortably, making it equally suited for quiet lunches or larger family dinners.
Then the bowls arrive.
The pho is clear and aromatic, layered rather than heavy. Thin slices of beef soften in the broth. Rice noodles coil beneath the surface. Fresh cilantro, scallions, bean sprouts, and lime wedges allow you to adjust brightness and texture to your preference.
But this restaurant goes far beyond a single bowl.
Menu Depth
From classic pho options — including brisket, filet mignon, tendon, tripe, meatball, and oxtail — to vermicelli soups like Bún Bò Huế, the menu reflects regional Vietnamese influences.
Clay pot dishes offer crispy baked rice topped with combinations of shrimp, chicken, beef, or seafood medleys. The beef stew (Bò Kho) can be paired with noodles or French bread. Bánh Mì sandwiches provide a quick, satisfying option for diners who want something handheld and flavorful.
The variety makes it accessible to newcomers while still offering depth for regulars.
Cleanliness & Confidence
Pho Viet Number One holds a 100 (A) health inspection score, reinforcing what the dining room already suggests: care and consistency.
For visitors attending spring events in Hall County — or locals looking for a dependable meal — this Gainesville spot balances atmosphere, flavor, and reliability.
Location & Details
Address:
1015 Jesse Jewell Pkwy
Gainesville, GA 30501
Phone:
(678) 989-4001
Hours:
Monday–Sunday
10:00 AM – 10:00 PM
